| No one is born a novel writer. But do you believe | | | | You will notice that you are no longer directing |
| that we all have the capability to be writers? | | | | your story but your story is directing you. That |
| Impossible as it may seem but the answer is yes! | | | | makes writing now so easy. You don't need to |
| If we have the passion for it and if we strive to | | | | analyze anything because the story now starts to |
| make it happen, novelwriting can be as easy as | | | | play like a movie. All you have to do is put them |
| writing ABC. Writing is actually not a very | | | | into words as the story plays in your head. |
| complicated thing. It is just like drawing, painting, | | | | Next, make sure you are able to retain your |
| and even cooking. It is an art! Your imagination is | | | | daydreaming and concentration as one event |
| all that it takes to get it started. What makes it | | | | goes after another. This state is now called the |
| hard is not writing itself but how people make it | | | | "alpha state". According to Judith Tramayne-Barth, |
| harder than it really is. | | | | this is the place between consciousness and sleep. |
| The first key to writing a novel is the ability to | | | | Time stands still when you are in this state. |
| dream and imagine. Think back to when you were | | | | Words keep coming to you until you start to feel |
| a little child and dreamed. Your imagination took | | | | pain in your legs and in your waist and then you |
| you to places you've never been before. It made | | | | suddenly flick consciousness and you become |
| you do things you never thought you could do. | | | | flabbergasted because you've not only written |
| Having superpowers... being in strange places... the | | | | one or two pages but five or more without even |
| conditions are limitless. Writing a novel is actually | | | | knowing it! |
| imagination translated into words. You close your | | | | The next key would be to practice flipping in and |
| eyes and let your thoughts drift while creating a | | | | out of the "alpha state". You can do this by |
| web of consequential ideas. After which, you | | | | rereading what you've written and internalizing it |
| write them down on paper. | | | | as if it was your first time. It might take you |
| The second key to writing is formulating the | | | | time, as much as hours or even days before you |
| premise of your novel. Let's say you'd start with | | | | are able to go to your "alpha state" again but |
| a huge asteroid moving about in space. Then | | | | once you're adept at going into the zone, it would |
| suddenly it collided with another asteroid and | | | | only be a matter of minutes before you start |
| instantly created an explosion. Some of the | | | | writing a new dialogue. |
| explosion's debris fell down into the earth's | | | | So, you've finished your story! Now it's time to do |
| atmosphere. By accident a person comes in | | | | the final touch-ups. There is still one last thing that |
| contact with it. These sequence of events could | | | | you need to do. Yea, you guessed it. You need to |
| be your initial start in which you let your mind | | | | check the entire story again for spelling, |
| take hold of and run with to produce the | | | | punctuations, grammar, correct word usage and |
| succeeding events. | | | | coherence. You might even need to revise it a |
| The third key would be creating a stream of | | | | few times before you are able to arrive with the |
| spontaneous ideas. Once you have the initial idea, | | | | final output. But don't fret, it's not much work |
| sink down into it and allow yourself to be | | | | really compared to writing the entire novel. What's |
| completely absorbed. Let's say after the person | | | | important is you now have your own novel, |
| comes in contact with the asteroid debris, he | | | | written by yourself, using your very own |
| gains supernatural powers! And then he notices | | | | imagination. How much more proud could you get? |
| some new changes in his being, not just physically | | | | © 2005 Rachelle Arlin Credo. All rights |
| but also emotionally and psychologically. This is | | | | reserved. |
| where an avalanche of new ideas start coming in. | | | | |