| You can find guidelines for writing query letters in | | | | agents slog through sometimes hundreds of |
| many different places: online at sites like Charlotte | | | | queries each day. Get to the point, and grab their |
| Dillon's, in resource books like Writer's Market, or | | | | attention. Period. |
| at your local writer's group or conference. | | | | Okay! Below is my original query letter for One |
| However, I thought it might be helpful for me to | | | | Night in Boston, along with a few notes in |
| post the query letter I used when I was seeking | | | | brackets. Good luck with those queries, and |
| representation for One Night in Boston. Of the 42 | | | | remember: do not let rejections stop your query |
| agents/editors I sent it to, 36 requested either a | | | | process. What one agent turns down, another |
| partial or a full manuscript as a follow-up, which is | | | | may very well scoop up with excitement and |
| a pretty good return. Ultimately, I secured | | | | enthusiasm. Keep at it! |
| publication with Samhain Publishing, and it will be a | | | | Dear Susie Agent: |
| Summer 2007 release. | | | | Can anything really change in 24 hours? Can |
| In total, I've queried 4 novels over the last 6 | | | | everything? |
| years and received all kinds of feedback along the | | | | My mainstream romance novel, One Night in |
| way. Now, I'm sharing with you the tips I've found | | | | Boston, offers a twist for the contemporary |
| most helpful: | | | | romance reader because it takes place over the |
| 1. You are writing a business letter, or a business | | | | course of a single day and night. (Think of the |
| email, depending on the agent's preference, so | | | | award-winning television show "24" translated into |
| follow the standard format. Contact info, | | | | the romance genre: twenty-four hours unfold in |
| paragraphing, spacing, closing, should all be | | | | twenty-four chapters.) Complete at 85,000 |
| appropriate and correct. | | | | words, One Night in Boston tells the story of |
| 2. Open your query letter with straightforward | | | | Maggie Doyle and Jack Major, college lovers who |
| information. Some people suggest a "hook" in the | | | | meet ten years after their relationship ends and |
| first paragraph--just don't make it too long! I'd also | | | | discover a renewed attraction that is both |
| suggest including the title of your work, the genre, | | | | stronger and more complicated than the first love |
| the word count, and why you're contacting the | | | | they shared. As RWA indicates that you are an |
| agent (reference, response to conference pitch, | | | | agent who is accepting new romance writers I |
| found the agent on Agentquery.com, etc). | | | | thought you might be interested in taking a look. |
| 3. The middle paragraph(s) should include a general | | | | [Opening paragraph includes general info about the |
| description of your work, including the main | | | | book, its length, its topic, what makes it unique, |
| characters and their struggle/conflict. What is their | | | | and why I'm sending her this letter] |
| central goal? What is the overall theme of the | | | | Maggie, a single but struggling entrepreneur in rural |
| story? How is this work both similar to, and | | | | Rhode Island, faces foreclosure on her interior |
| different from, other works on the shelves | | | | design business, thanks to a spiraling small-town |
| today? What will make this attractive to the | | | | economy and her mother's nursing home bills. Her |
| target audience? Who is the target audience? | | | | only option: find the stepbrother she hasn't |
| 4. Include some brief biographical information | | | | spoken to in years and convince him to loan her |
| about yourself. This means any education | | | | the money she needs. Jack, meanwhile, has |
| experience with writing and any publishing history | | | | carried on his family's business legacy and become |
| or contest wins you might have. It doesn't mean | | | | CEO of a major Boston corporation. He's also just |
| a long-winded description of how your great-aunt | | | | become engaged to a successful attorney, who's |
| loves your work or how your three cats keep | | | | planning the city's biggest wedding and driving |
| you company when you write in the wee hours | | | | everyone crazy doing it. Though the marriage will |
| of the morning. If you don't have any publications | | | | join two prominent families and please his father, |
| to your name, or specific background that relates | | | | sometimes Jack still thinks about the fireworks of |
| to your genre or topic, then don't put anything at | | | | his first love. |
| all. A simple statement such as "The Mystery of | | | | Maggie's search for her stepbrother leads her |
| Seven Slippery Sisters" is my first complete novel | | | | directly to a high-profile charity ball...and to Jack. A |
| is fine. | | | | dance, some reminiscing, and a spontaneous kiss |
| 5. Close with an offer to send more material, if | | | | startle them both into realizing that old feelings |
| you haven't included any in the first mailing. Make | | | | haven't died. But then Jack's fiancée |
| sure to indicate that the work is complete (and it | | | | arrives at the ball, and Maggie flees only to find |
| should be, if you're querying agents). | | | | herself trapped in a violent storm that has closed |
| 6. Proofread twenty times. At least. Then give it | | | | half the city streets. Jack follows her, but when |
| to five other people and ask them to proofread it. | | | | Maggie reveals the reason she left him in college, |
| By the way, this includes confirming the spelling of | | | | and the reason she cannot be with him now, both |
| the agent's name. Don't rely on one website or | | | | are forced to realize that people change, that |
| source for this; I'd check at least 2 different | | | | memories are tempered by years, and that time |
| places. | | | | alters even the things we most want to stay the |
| 7. Open your letter/email with Dear First Name | | | | same. |
| Last Name of agent. "Dear Agent," "To Whom It | | | | [Two body paragraphs give a very general |
| May Concern," and "Dear Sir or Madam" are too | | | | overview of the hero and heroine, their goals, |
| generic and suggest that you didn't do your | | | | their conflicts, and the underlying theme of the |
| homework. You need to target a specific | | | | book: that time changes everything, whether it's |
| individual, and I recommend using the person's full | | | | 24 hours or 10 years] |
| name rather than Mr./Ms./Mrs. to avoid any | | | | I am an RWA member who earned her PRO pin |
| possible gender screw-ups. Ashley Grayson, for | | | | in 2003. Previous online publications/contest wins |
| example, is a man. Wonder how many query | | | | include "Time for Teacher", a narrative essay |
| letters he receives addressed "Dear Ms. | | | | published by in 2002, and "Hawkman and the |
| Grayson..."?? | | | | Widow Thompson" (short story) and "Untitled" |
| 8. Make sure to follow the agent's guidelines when | | | | (poem) which won 1st and 2nd place in |
| submitting material. Some will ask for a query | | | | WriterOnline's Mystery Contest (2003) and 5 |
| letter only. Some accept emails only. Others want | | | | Senses Contest (2004), respectively. I am |
| the first three chapters. Include a SASE for snail | | | | currently working on my next One Night...book, |
| mail responses. Tell them they may recycle the | | | | which will also explore the ways and places desire |
| partial/full manuscript unless you want to pay the | | | | can bloom overnight. A synopsis, sample chapters, |
| return postage to get it back. | | | | or the complete manuscript of One Night in |
| 9. Make a generous list of agents to target. Many | | | | Boston is available upon your request. Or, you |
| people have an "A," "B," and "C" list of their top | | | | may prefer to read an excerpt on I am available |
| choices, and they work their way down. Unless | | | | via email () or telephone (999-999-9999). Thank |
| the agent says "No multiple submissions," I | | | | you for your time and consideration. |
| recommend sending your query letter to multiple | | | | [Closing paragraph, while a little long, mentions my |
| agents each day/week/month, according to your | | | | previous writing experience - notice no full-length |
| timeline. The query process can take a long time, | | | | publications - my membership in Romance Writers |
| and there's no need for you to wait for a reply | | | | of America, which indicates an interest in and |
| from each single agent before you send out | | | | familiarity with the genre, and my contact info. |
| another query. | | | | While I did mention my plan for future One Night |
| 10. Your query letter should be no longer than 1 | | | | books, it's not a wise idea to query more than |
| page (or its equivalent, for an email). Really, | | | | one project at a time. |