| "> | | | | of blood spilled on the street of Paris, every drop |
| In 'A Tale Of Two Cities', Dickens had distributed | | | | of the sweat fallen on the farms of feudal |
| the humour among various pockets: the way he | | | | France, melted into each other and became the |
| described the characters, the manners that the | | | | blade of the Guillotine. And then everything flew |
| lords of the land followed in France, and the | | | | from the power of that Guillotine. Dickens picked |
| narrative technique in which he had no competitor. | | | | up that theme; honoured it in its right perspective; |
| While describing the human tragedies and follies of | | | | and dealt with it with his masterly skill. |
| common men, he had endeavoured to infuse | | | | While reading Dickens, humour would not fail in |
| funniness through the comedy of manners. But he | | | | helping our strains to disappear. It would make our |
| had not tried to soften the bitterness of truth | | | | mind lighter. Had Dickens not been a writer and |
| that the ongoing revolution was supposed to | | | | the humorist as he was, he would have become a |
| hold. | | | | social activist. Such were the subjects he chose |
| Charles Dickens had courage to be an innovator. | | | | for his writings. 'A Tale of Two Cities', a novel |
| Standing against all the contemporary writers, he | | | | that runs overloaded with the hard facts of an |
| had chosen the subject like poverty in 'Oliver | | | | ongoing revolution, it contains salient stock of wits |
| Twist'. He obeyed his inner voice-his sincere | | | | and irony. Though the thematic compulsions |
| service to the world in he lived. Again, even if | | | | restrained Dickens to become outright humorist; |
| being the writer of neat fiction, he chose history | | | | he fully counterbalanced it while caricaturing some |
| as background for his novel 'A Tale of Two | | | | of the characters. |
| Cities'. The writer of 'Domby and Sons' and 'Martin | | | | If we look at the novel from a different angle, |
| Chuzzlewit' preferred to narrate rigid truth of the | | | | then a war or a revolution is the greatest satire |
| history without reservations, without making | | | | itself. The mankind has never learnt a lesson from |
| compromises. And the result is before our eyes. | | | | the past. We go on slaughtering each other |
| He chose theme of history because it contained | | | | without realising the futility of our actions. Perhaps |
| the hardest challenges the people had faced; he | | | | that was the biggest message this novel should |
| chose it because the larger portion of the people | | | | have delivered. 'A Tale of Two Cities' is the |
| had at last responded to the wildest behaviour | | | | masterpiece novel. |
| shown to them throughout the years. Every drop | | | | |