| The screen Writers Agents tip for success is a | | | | screenplay. What works best for you is really the |
| simple one. Make time to write. Finding time in | | | | strategy that you should incorporate. |
| your busy schedule to write and be creative can | | | | Making a game plan and setting realistic goals is |
| be a challenge. As a screenwriter you need time | | | | what your screen writers agents advise. Setting |
| to create an inspiring story and characters that | | | | goals can help you see your progression. Let's |
| your audience can relate to. Passion and desire | | | | take a look at a sample game plan. |
| are what motivate screenwriters. But discipline | | | | Month one is to start working on your screenplay. |
| and commitment to yourself and your screenplay | | | | Your goal for the month is to make the time to |
| are two key elements that are critical to a | | | | write. Week one, write your treatment or |
| screenwriter's success. Screen writers agents | | | | synopsis of the story. Week two, write your |
| urge you to follow your passion and find time to | | | | outline. Take all those notes you have in your file |
| write. | | | | folder and organize them into the scenes where |
| Being focused is what it is all about. When there is | | | | you think they might belong. Week three, work |
| too much going on in your daily schedule the | | | | on your characters and their bios. Write out their |
| energy you normally have can become drained. | | | | history and what makes them tick. What are their |
| Your focus is not as clear as it normally is. And | | | | motivations? Just what kind of weaknesses and |
| because of this your energy becomes scattered. | | | | strengths do they possess? Week four, do any |
| There are several techniques that you can do to | | | | necessary research that pertains to your story. |
| help pull in your scattered energy. And become | | | | Historical facts that might be relevant or any |
| more focused. | | | | details to include that would make it more |
| Physical activity can help ground you and clear | | | | believable. It is a good idea to contact a script |
| your head. Stretching for ten minutes a day can | | | | analysis doctor to read over your treatment and |
| calm and relax the tensions of the day and really | | | | outline. So you can identify any weaknesses in |
| get those creative juices flowing. Going for a jog | | | | your story. |
| or walking and just generally working out three to | | | | Now let's look back at this first month's game |
| four days a week can boost your motivation. | | | | plan. If you followed it, you will see that you have |
| During this time clear your mind and let your | | | | accomplished quite a lot. You have written your |
| thoughts be open and free. Let go of your to do | | | | treatment. You have the basic outline of your |
| list. You'll be amazed at the inspiration you will find. | | | | story. And you have your characters in place. |
| Realistically there just are not enough hours in the | | | | Your facts are accurate because you spent the |
| day. And let's face it, you can not get everything | | | | time doing your research. And you took the |
| done in a given day that you would like to. So | | | | screen writers agents advice and sought out a |
| what can be helpful is to set aside time each | | | | script analysis doctor to review your notes on |
| week. Perhaps you can swing a half hour or an | | | | your screenplay. |
| hour in a day to work on your screenplay. Or | | | | You are well on your way to writing a sellable |
| perhaps it is better for you and your schedule to | | | | screenplay. The screen writers agents would tell |
| set aside a couple of evenings in the week to | | | | you go ahead and dive in. The first draft of your |
| work on writing your screenplay. Or a day during | | | | film script is just around the corner. |
| the weekend you can devote to writing your | | | | |