| There's an essential step to writing a really good | | | | them into the story from the beginning. They'll |
| novel that many new writers overlook. Once you | | | | want to keep reading to see what the main |
| understand this idea, your writing will be much | | | | character will do to address this intense crisis. See |
| more dynamic and powerful and you will be able | | | | how it works? |
| to hook your readers into your story so they | | | | 3. Finally, the crisis you choose must be compelling |
| won't want to put down your book until the last | | | | to you as the writer. It should engage your |
| page. Here's how to write a good novel your | | | | curiosity and make you want to see what |
| readers will love: make sure you introduce a | | | | happens next. It should be a crisis that you would |
| major crisis at the beginning of your story. When | | | | want to read about if you picked up this book at |
| you choose this crisis wisely, it will be the catalyst | | | | the bookstore. When you're riveted by the initial |
| that drives your novel forward with power and | | | | crisis, it will spark your imagination and keep you |
| will make your readers anxious to find out what | | | | interested and motivated throughout the process |
| happens next. The crisis needs to create a big | | | | of writing your novel. And your readers will sense |
| enough problem that it will take the whole novel | | | | your enthusiasm and interest and feel the same |
| for your main character to overcome it. A good | | | | way about your book. |
| crisis will intrigue you as the writer and motivate | | | | How Will Your Main Character Solve This Problem? |
| your main character to make the all-important | | | | Now your main character has to decide what |
| decision to do whatever it takes to solve the | | | | they are going to do in response to this crisis. As |
| problem this crisis presents. | | | | there is no other option, the main character must |
| A Compelling Crisis Needs These Three Elements | | | | choose to address this problem and overcome it. |
| Evan Marshall, the literary agent and published | | | | As a result, your main character has a powerful |
| novelist, gives some great advice for developing | | | | motivation that will drive your story forward as |
| your novel's initial crisis. You want to make sure | | | | they continually seek to achieve this goal. Evan |
| your crisis includes these three key elements to | | | | Marshall gives several helpful tips to make this |
| make it powerful enough to drive your story | | | | story goal most effective: |
| forward from the beginning to the end. | | | | 1. This story goal will have your main character |
| 1. To begin, your crisis should be appropriate to | | | | seeking relief from some problem or striving to |
| the genre you're writing in. This requires you to | | | | gain possession of something he really wants. |
| clarify your genre, always a good idea at the | | | | 2. If he fails at this goal, there will be dire |
| outset of writing a novel. Then make sure your | | | | consequences. |
| crisis fits your chosen genre. For example, in a | | | | 3. Your main character's motivation should reveal |
| political thriller, the initial crisis shouldn't be that the | | | | him as a person your readers will like and admire. |
| main character's fiancee breaks up with him. | | | | He chooses to solve this problem for the right |
| Instead, your main character might intercept a | | | | reasons so your readers identify with him and will |
| letter indicating a plot against a charismatic | | | | be rooting for his success. |
| European leader. | | | | 4. It must feel next to impossible for your main |
| 2. Second, you have to make the crisis big | | | | character to succeed at this goal. By raising the |
| enough that it creates a major problem for your | | | | stakes in this way, you will give your novel idea |
| main character. It can't be something minor that | | | | tremendous power. The tension and desire to see |
| your main character could choose to ignore. It has | | | | how it will all come out will motivate you and your |
| to be something that he must take action to | | | | readers to stick with your novel until the very |
| resolve. Your readers will sense this and feel the | | | | end. |
| tension of the situation and that's what will hook | | | | |