| Okay fellow writers. I am about to enter the 12th | | | | your characters then you have them reading to |
| excerpt into my step by step novel writing | | | | the end of the book and looking for your next |
| process. We have just passed the halfway point | | | | one. I say sympathy but it can be any emotion |
| of this series and I hope it is beneficial to each | | | | provided it is done right. Sympathy is an easier |
| and every one of you who read it. I am presently | | | | one but fear and anger are also two big ones. |
| trying to get my first novel published and am | | | | 59. Feelings |
| working on my second one. I use each and every | | | | Hers another great tip. You can not and I stress |
| one of these topics to help me get through. | | | | can not tell your readers how to feel. You have |
| Remember though you have to maintain passion | | | | to make them feel how you want them to feel. |
| for the art of writing or you're just wasting your | | | | If you want them to be scared then write |
| time. I can give you all the pointers you want but | | | | something scary enough. Even though it may |
| if you don't have the drive and desire then they | | | | seem just like words on paper. When I read |
| are no good to you. Okay time to move on. | | | | "Needful Things" by Stephen King he had me |
| 56. Hold Your Reader | | | | turning lights on and looking up every time I heard |
| There are three major points that combined | | | | even the smallest noise. So are those just words? |
| work together to hold your reader. The first one | | | | I don't think so that is a brilliant author bringing a |
| is be specific. Anything you do in your novel it's | | | | story to life and scaring the pants off of me. |
| important not to be vague. This isn't a short story | | | | 60. The Meat |
| where you can get away with that. When | | | | So by now you should have anywhere from |
| decisions are made throughout your story be | | | | 80000 to 120000 words written. There tat wasn't |
| definite about them. There are no maybes. | | | | so bad now was it? Now comes the hardest part |
| Maybes only get you in trouble because it gets | | | | of writing. At least it is in my opinion. Now you |
| the readers confused. And finally any information | | | | get to start rewriting and editing your novel. One |
| you give has to be concrete. You want the | | | | things for sure you better not be tired and you |
| foundation and everything above it to be solid. | | | | better have a clear head going into this stage of |
| Any weak points and that's where your book | | | | writing your book. |
| comes tumbling down. | | | | I know a lot of this seems like its going no where |
| 57. Your Book Doesn't Get All Your Time | | | | but trust me I write this from experience. Writing |
| I don't care how you want to do it but once in a | | | | a book is no easy task. I wish someone would |
| while you need to take time away from your | | | | have helped me out like this when I first started |
| writing. What I personally do is take 2 full days | | | | writing. I will tell you one thing. Now this relates to |
| away every week and once a month I make one | | | | me and it could to you but you have to want it |
| of those two dayers into a three dayers. What | | | | to. No matter how hard the writing got I never |
| you are going to find when you come back to | | | | disliked it. I still love writing and maybe this is a |
| continue your novel is that your mind is story | | | | pipe dream but I hope to be able to retire and live |
| fresh. That's going to go a long way in the | | | | totally off the money I earn from writing. Okay |
| success of your novel. | | | | this is the end of lesson 11. I hope you are |
| 58. Can You Make Your Reader Cry | | | | enjoying it so far. I also hope you are taking |
| Sympathy sells. All over the world everyday in | | | | advantage of the opportunity to print this out |
| every language possible stories are being written | | | | because if all goes well I will make this into an e |
| and sold with sympathy as the main angle. If you | | | | book so take advantage of it free. |
| can get your readers to buy into the emotions of | | | | |